The diagram illustrates the initial stages of conceptualising the architectural design. It begins by depicting the current layout of the site, where humans and non-humans are segregated into separate areas, with minimal interaction between them, facilitating the exploration of potential connections. Ultimately, our proposal advocates for an inclusive design that is able to accommodate both humans and non-humans - a space where individuals can gather to mourn and honour the passing of loved ones, while contemplating the profound questions surrounding life and death.

Within the framework of the project, the inclusion of nonhuman entities serves a dual purpose. Firstly, non-humans are conceptualised as constituent elements integral to the architectural structure, forming an inseparable
component thereof. This perspective underscores a symbiotic relationship wherein the non-human entities become foundational constituents, entwined within the very fabric of the construction. Concurrently, a second facet emerges wherein non-human entities are drawn to specific architectural attributes deliberately chosen for the project. Consequently, the edifice
attains a pivotal objective intrinsic to our ethos – that of refraining from imposing exclusively human decisions upon non-human entities. This deliberate act serves to dismantle hierarchical structures and a human-centric paradigm, enabling nature to reassert itself upon the architectural milieu. The resultant formation of shapes and configurations, dictated by nature’s inclinations, engenders an environment wherein non-human entities are enticed to coexist harmoniously alongside their human counterparts.